By Chou Hsiang-Kuang

Prof. Chou Hsiang-Kuang who has been residing in India for
a variety of years has positioned the folk of India lower than a debt of
gratitude for this paintings which was once released in 1956 in its English
version. i've got had the privilege of understanding Prof. Chou*for some
years, and that i appreciate hjs extensive studying of either chinese language and Indian
affairs together with heritage of—Chinese and Buddhistic inspiration. He
has almost made India his domestic, having served the collage of
Delhi for a few years as a Professor of background, and likewise various
other associations, Governmental and in a different way; and now he's teaching
Chinese within the collage of Allahabad. the current paintings gives
a very unique survey of the heritage of Buddhism in China. There
are already a couple of reliable and authoritative works at the subject
by ecu and Indian students, and the Handbooks via the late
Prof. Phanindra Nath Basu and past due Dr. Prabodh Chandra Bagchi
are popular in India. Prof. Basu gave an account of the Indian
scholars who went to China, and Dr. Bagchi’s paintings offers a General
Survey of Sino-Indian family, together with the unfold of Buddhism
in China. Prof. Chou’s paintings covers the full box, and it
is even more targeted than the other booklet that i do know on the

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Tu-shun replied instantly, ‘‘your internal sadness will be cured if you happen to free up all prisoners within the nation. ” The emperor did so and his disease was once over. The emperor gave him an imperial identify as Ti-hsin. Tu-shun gave up the ghost within the 14th 12 months of Chen-kuan interval of the emperoi T’ai-tsung’s reign of the Tail" dynasty (640 A. D. )* 'I’u-shun had written vital books care for the document­ trine of the Avatamsaka as follows: 1 . F a Chia okay u a n M en or Contemplation at the Pheno­ menal Realm. I quantity. 2. W a n g Chen H a u n Y u a n ok u a n or The A vatam saka fo r Extinguishing Fales suggestion and R etu rning to the beginning. J quantity. He was once via Chih-yen, who used to be born iy the 20 th yr of Kai-hwang interval of the emperor WenTi’s reign of the Sui ............. ................ .............. ^ ... ... ....... .... - r I. - i i. r-1 Tim- - rr -m . -- . . - * see a whole assertion referring to Buddha and Patna chs tn every age compiled via Nien-oh'ang. A IlISTORY OF chinese language BUDDHISM dynasty (000 A. D. ). whilst ha input advert th) monastery at a tender age, ho used to wish ahead of tho Tripitaka and chosen the 1st quantity of tho B u ddh avatam saka M ah^vaipulya Sutra and browse it on a daily basis. in a while ho turned a closed disciplo of Tu-shun and preached the doctrine of tho A v a ta m s a okay a Su tra. He passed on to the great beyond within the 1 st yr of Chung-ehang interval of the emperor Kaotsung’s reign of the Tang dynasty (068 A. D. ). He used to be via Fa-tsang, who used to be born within the seventeenth 12 months of Chen-kuan interval of tho emperor T’ai-tsung’s reign of tho Tang dynasty (613 A. IX). His grandfather used to be a Sogdian and was once domiciled in China. He bought directions in Buddhism from the priest Divakara of imperative Asia. whilst his age was once twenty-two years previous, ho helped within the translation paintings of Hsuan-tsang. Subse­ quently, even if, alterations in point of view triggered him to loavo tho translation bureau. Thereafter he independently worked to boost the doctrine of the clergymen Tu-shun and Chih-yen. It was once hence that the theories of the Avatamsaka got here to be demonstrated and unfold over China. We learn additional iu the M em oirs o f E m in e n t P r ie s ts o f the S u n g D ynasty's lifestyles cartoon of Fa-tsang; “Fa-tsang expounded the hot model of tho A vata m sa ka S u tra for Empress Wu Tse-tion (ruled 681-705 A. IX), yet ho got here to the theories of the 10 mysteries of Indra’s internet, tho Samadhi of the sea image, t h ; harmonizing of the six characteristics, and the world of common conception, the chapters on which all represent normal or specific ideas in tho A vatam saka, her Majesty grew to become wondered and unsure. Then Fa-tsang pointed to the golden lion guarding tho palace corridor in terms of representation. during this approach he offered his new theories so they have been defined quick and simply. The paintings used to be written by means of him, entitled Chin S h ih T ze or D iscussion at the Golden L io n , he enumerated ten ideas, with their common or targeted characteristics. Thereupon Her Majesty got here to appreciate his genuine which means. ” additionally “due to his disciples didn't comprehend the mystic that means of Indra’s internet, he then used a smart expedient.

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